Sound art in Malaysia from a Malaysian sound artist perspective. Malaysian Music Journal, 2 (2). pp. 118-128. ISSN 2232-1020 (2013)
Abstract
Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much
was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western
music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative
ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer venturing into electroacoustic music.
| Item Type: | Article |
|---|---|
| Keywords: | Musical Instrument, Electroacoustic music |
| Taxonomy: | By Subject > Music > Musical Instruments |
| Local Content Hub: | Subjects > Music |
| Depositing User: | Eza Eliana Abdul Wahid |
| Date Deposited: | 19 Oct 2020 08:28 |
| Last Modified: | 19 Oct 2020 08:28 |
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